Archive for October, 2007

Tucked literally between two buildings on Avinguda del Portal de l’Angel, the Happy Pills shop would be fairly easy to miss.

Once inside, you’re met by a wall of various gummie candies. You pick what size “prescription” you want, then you fill the bottle up to your liking. After that, they seal the bottle with a tamper-proof cap and let you choose which label best suits your mood, in either Spanish or English.






This lovely idea is the lovechild of  MM design studio, responsible for concept and branding. 



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What a lovely idea!

Free Rice  has two goals:

  1. Provide English vocabulary to everyone for free.
  2. Help end world hunger by providing rice to hungry people for free.

This is made possible by the sponsors who advertise on this site, such as Apple, Office Depot, Toshiba.

FreeRice began on 7 October 2007, so far 137,769,030 have been donated .


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 An advertising campaign titled “This is New York City” will feature outdoor posters, internet advertising and a TV spot. Plus, the NYCVisit website features ways for visitors to plan their trip.

The city will spend $30 million over one year to compete with other U.S. cities for tourism bucks (for instance, Las Vegas spends $127 million in advertising annually).

Last year, NYC had 43.8 million visitors, which, according to the city, supported more than 350,000 jobs and had an annual economic impact of nearly $25 billion.

The campaign aims to attract 50 million visitors by 2015.







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1. It’s essential to have clear objectives. Any piece of online communication that doesn’t have clear-cut objectives comes over as chinless and indecisive. Many printed documents have gotten away with being chinless and indecisive in the past, but no more—possibly due, in part, to online influences. If they’re going to be taken seriously today, printed comms need clear objectives too—driven by what you want to achieve, not just what you want to say.

2. People often prefer to scan and go back to get detail later. Although online text has championed scanning, people have been scanning offline text like brochure copy since long before the WWW came to be. Online, to facilitate scanning we break up text with highlighting, bold type and crossheads which enable readers to get the gist of our message in a few seconds. Paper-based messages can be improved dramatically when given the same treatment.

3. People do not always read in a linear fashion. We don’t expect people to view our Web site pages in any particular sequence. This is not new. For years people have been leafing through brochures starting at the back, skipping to the front, dipping into the middle and back again. Longish offline content benefits greatly from being organized on a non-linear basis to cater equally to the linear readers and the grasshoppers.

4. Not everyone needs or wants the technical stuff. Even with high-tech business, we often put the techie details in their own little cubby-hole on a Web site, or in a downloadable PDF file. That way they’re there for those who are interested but don’t obscure the main marketing messages. Offline messages gain in the same way, when you box off technical data or append it to the back of a document.

5. Visual clutter confuses readers. In the same way that people loathe Web site home pages that bristle with shouting headlines and graphics and other grinning gargoyles, they hate cluttered print and press ads that shriek “busy, busy.” If it’s hard to find your message in amongst garish junk, online or offline, they’ll just flip or click over to your competitors’ information.

6. BS is boring. Everyone sees through hype now. The online environment makes it look even sillier than ever. Readers of any marketing communication, online or off, expect your writing to talk directly to them, as one human being speaks to another. If you wouldn’t insult a customer by using boastful, pompous hype face-to-face and online, why do it offline?

7. Complex thinking doesn’t work. Although the long copy often works online, the writing style itself needs to be very economical and uncomplicated. Every word has to earn its keep. Sentences and paragraphs should be short and free from convoluted notions. And that’s an approach that also works wonders to clarify and enliven text for brochures, print newsletters, and other longer marcomms.

8. Lists in the form of long sentences don’t get read. Online, if you have more than two or three items to list you’re advised to create bullets, rather than run them together in a long sentence. If that makes them quicker to absorb online, think what a beneficial effect it can have on lists in offline text…

9. Headlines and crossheads must be relevant, not cutesy-clever. In the online environment these lines often have to stand alone (e.g., as email subject lines) so must be directly relevant. Although abstract headlines are acceptable in some press ads, in longer offline text the headlines are what people latch on to while scanning. This means they also have to be directly relevant, so they’re instantly understood.

10. Cut the c*** and get to the point. Not only do online comms demand uncluttered information, but also relevant information. People haven’t got time to wait 10 minutes while your incredibly creative animation downloads, and equally they haven’t time to figure out the meaning of a literary quote over an artsy picture when they’re in a hurry to find out about your diesel generators. In our high-speed business culture, direct is beautiful.

(marketing profs)

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 A group of Arnold creatives have become so frustrated with focus groups that they’ve created a project to find out what would happen if one of the greatest ads of all time was put into research

 So true, so sad.


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(silk road gallery)

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This massive billboard shows a hand with a long string attached to it and full size Mini dangling at bottom! What makes this ad really special is that the car moves vertically up and down the string on invisible rails, as if it was a yo-yo!




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